The Port House
Antwerp | Belgium

Summer 2022

The Port House in Antwerp is a magnificent architectural neo-futurism gem that was completed in 2016. Designed by the late British-Iraqi architect Zaha Hadid, the building is located on the site of a former derelict fire station and serves as the new headquarters for the Antwerp Port Authority. It is a prime example of contemporary architecture, boasting a striking and bold design that seamlessly blends the old and new.

The style is typical of Hadid — intensely futuristic architecture which is characterised by undulating facades, cutting angles, and the use of modern materials such as glass, concrete and steel. She always managed to take the harshest materials in the world of construction and transform them to form structures that appear soft, organic and welcoming.

The Port House in Antwerp, Belgium by architect Zaha Hadid

A focused format

This photo essay can be considered an extension to the City of Diamonds instalment. The images were captured during that same trip — however rather than being squeezed into that original exploration, I felt that this particular building in Antwerp deserves its own feature.

An Elkli & Hart Poster — Architecture Series #1 — The Port House, Antwerp, Belgium by Zaha Hadid — Version 1

Explorations

I would like to start the process of sharing, within these focussed essays, mixed-media art dabblings — where I intend to create new art pieces based on core images from an essay and extend them with the use of geometric shapes, layering effects, typography and in some places, combining them with other photos from my library. 

I have similarly started to explore the idea of creating series-linked posters, based around category themes. For example above you’ll see an idea could form part of an architectural poster series. I’m thinking about how these could fit into the wider context of fine art prints — something that posters aren’t typically associated with. I’d love to hear your thoughts on these and everything else you would like to share. Reach out on Twitter @elkliandhart or sign-up for the newsletter — which is a platform I plan to start using to share initial explorations prior to making them ‘public’. I would love to work with my readers to help shape these — openness and collaboration are core to how I run my business, and I’m always keen to work with creative individuals, regardless of their professional credentials.

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An open air tram station at the end of the line. In the background The Port House by Zaha Hadid can be seen — Antwerp, Belgium

Now back to the essay — The original fire station, which dates back to 1922, was transformed into the base of the new building. Hadid's design includes a bold glass extension that appears to float above the brick structure. The new extension is shaped like a diamond and is supported by a massive sculptural pillar, creating a striking visual contrast between the old and new elements. The extension provides stunning views of the city and the harbour, and is meant to symbolise Antwerp's connection to the world.

An interesting fact about the new building is that the diamond-shaped glass structure was inspired by Antwerp's history as the world's diamond capital. As you may know, the city has been a major centre for diamond trading and cutting for centuries, and Hadid's design pays homage to this rich cultural heritage. The building's shimmering glass façade also evokes the appearance of a cut diamond, adding to its overall beauty and uniqueness.

Since its completion, the Port House has become a popular destination for tourists and locals alike, and has been hailed as a modern landmark in the city. The building is not only an iconic symbol of Antwerp's port and diamond heritage, but also a testament to the city's commitment to modernization and innovation.

In contrast to The Port House, the area immediately around the site of the building is typically industrial — in keeping with a working and active port area. During sunset the industrial iron port structures and machinery, combined with the handful of large wind turbines create some beautiful silhouettes — and the Port House itself really shines from the during golden hour too.

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Front east side elevation of the Port House by Zaha Hadid, with a small section of the original firestation building visible. In the foreground are three municiple flags — Antwerp, Belgium
Front east side close-up shot of the Port House by Zaha Hadid, showing the underside of the glass extension connected to the huge concrete support column — Antwerp, Belgium
South elevation view of the Port House by Zaha Hadid — Antwerp, Belgium
Monochrome high contrast perspective of the glass extension and the top of the concrete support column on the Port House by Zaha Hadid — Antwerp, Belgium
Monochrome high contrast perspective of the glass extension and the top of the concrete support column on the Port House by Zaha Hadid — Antwerp, Belgium
Monochrome high contrast detail shot of the reflections that appear on the glass panels on the Port House by Zaha Hadid — Antwerp, Belgium
Detail shot of the Port House by Zaha Hadid, showing the underside of the glass extension connected to the huge concrete support column in monochrome — Antwerp, Belgium
Monochrome high contrast detail shot of the reflections that appear on the glass panels on the Port House by Zaha Hadid — Antwerp, Belgium
Antwerp Port House Plans — East Elevation — © Zaha Hadid Associates
Antwerp Port House Plans — North Elevation — © Zaha Hadid Associates
Antwerp Port House Plans — Short Section SA — © Zaha Hadid Associates
Antwerp Port House Plans — Long Section S1 — © Zaha Hadid Associates
Antwerp Port House Plans — L05 Belly Ceiling Plan — © Zaha Hadid Associates
Antwerp Port House Plans — South Elevation — © Zaha Hadid Associates

Antwerp Port House Plans — © Zaha Hadid Architects

Monochrome high contrast detail shot of the reflections that appear on the glass panels — here one a sharp end point — on the Port House by Zaha Hadid — Antwerp, Belgium

There are approximately 2000 high precision triangular glass panels — representing Antwerp's diamond heritage, and depending on the angle and time of day, the glass reflects different images of the surrounding environment, creating a constantly changing and dynamic visual experience.

Zooming into smaller sections of the glass extension really showcases this, and the possible number of interesting compositions is near limitless.

Monochrome high contrast detail shot of the reflections that appear on the glass panels on the Port House by Zaha Hadid — Antwerp, Belgium
The undulating triangular glass panels on the glass extension in the background, with a original brick firestation's nearly lined dormer windows in the foreground on the Port House by Zaha Hadid — Antwerp, Belgium
The cantilevered concrete support column meets the old brick construction of the firestation on The Port House by Zaha Hadid — Antwerp, Belgium
Looking up at the belly of the glass extension with the imposing concrete support column leading the eye up on The Port House by Zaha Hadid — Antwerp, Belgium
Looking up at the belly of the glass extension with the imposing concrete support column leading the eye up on The Port House by Zaha Hadid — Antwerp, Belgium
An array of original and neartly lined dormer windows in the foreground with the glass polygones of the glass extension behind on the Port House by Zaha Hadid — Antwerp, Belgium
Colourful reflections that appear on the glass panels on the Port House by Zaha Hadid — Antwerp, Belgium
Looking up at the belly of the glass extension with the imposing concrete support column leading the eye up on The Port House by Zaha Hadid — Antwerp, Belgium

Zaha Hadid

Was (1950—2016) a renowned Iraqi-British architect known for her distinctive and innovative designs that pushed the boundaries of architecture and challenged traditional notions of space and form.

Hadid's designs are characterised by their dynamic, fluid forms and sharp angles, often incorporating sweeping curves and dramatic cantilevers. She was a pioneer in the use of computer-aided design (CAD) technology and her projects included a range of building types, including museums, sports stadiums, opera houses, and office buildings.

Some of Hadid's other notable works include the Heydar Aliyev Centre in Baku, Azerbaijan; the Guangzhou Opera House in Guangzhou, China; and the London Aquatics Centre built for the 2012 Olympic Games. She was the first woman to receive the prestigious Pritzker Architecture Prize, in 2004, and was also awarded the Stirling Prize, the UK's top architecture award, twice.

She is one of my all time favourite architects — her creations are inspiring, uplifting and beautiful. Her legacy will continue to inspire architects and designers around the world, and her designs remain celebrated for their daring and innovative approach to architecture.

A close-up shot of a sharp corner from the glass extension on the Port House by Zaha Hadid — Antwerp, Belgium
Dramatic high contrast monochrome photo of the south elevation of the Port House by Zaha Hadid — Antwerp, Belgium
Dramatic high contrast monochrome photo of the south elevation of the Port House by Zaha Hadid — Antwerp, Belgium
Dramatic high contrast monochrome photo of the south elevation of the Port House by Zaha Hadid in the background, with the harbour water and a moored iron ship in the forground left — Antwerp, Belgium

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Mixed-media dabblings

As I mentioned at the start of this essay, I’m going to start creating mixed-media fine art prints. These will be created solely using photographs from my library, and combined with illustrative elements and layering effects using software tools such as Adobe Illustrator and Photoshop.

The definition of mixed-media in the visual arts is rather loose, but broadly it involves combining two or more different artistic mediums or materials to produce a new artwork. It is a technique that allows artists to explore different possibilities and experiment with a wide range of materials to create a unique and innovative final piece.

In the case of combining photography, illustration, and layering effects, an artist may use photography as a starting point, adding illustrative elements and layering techniques to create a visually complex and engaging work that combines different textures, colors, and forms. Mixed media in visual arts can encompass a wide range of artistic practices and materials, including paint, paper, textiles, found objects, and digital media, and can be used to create works in a variety of styles and genres.

It has been great fun to open Photoshop, as an artistic tool, for the first time in over 15 years. The style you see below is typical of the works I was creating in my 20s — I do feel a sense of sadness that I paused these visual explorations for so long — and yet it’s personally interesting that my visual style is similar to the old (younger) me.

I’m very excited to move my style forward and embrace new directions and landscapes of creative expression in the years ahead.

Mixed-media artwork combining a photo of the glass extension from the Port House by Zaha Hadid, and combined with geometric shapes and gradients to create a piece of art — artwork by Jake Hopking
Mixed-media artwork combining a photo of the glass extension, repeated in four axis, from the Port House by Zaha Hadid, and combined with three circles of colour and cloud imagery — artwork by Jake Hopking
Mixed-media artwork combining a photo of the glass extension, repeated in four axes, from the Port House by Zaha Hadid, and combined with pointed geometric spikes protruding the building  — artwork by Jake Hopking
Mixed-media artwork combining a photo of the glass extension, repeated in four axis, from the Port House by Zaha Hadid, and combined with square shape made from a cyan to peach gradient — artwork by Jake Hopking
Mixed-media artwork combining a detailed photo of the glass extension, repeated in four axes, from the Port House by Zaha Hadid, and combined a gradient square and overlayed vector shapes that trace the shapes made by the glass panels from the extension — artwork by Jake Hopking

A peek around the port area

Before we close this essay with a section of golden hour shots, I think it would be remiss not to share a few photos of the area that surrounds The Port House.

After catching the tram to The Port House in the morning, we decided to walk back so we could take in the industrial port area. It’s an area that is undergoing some gentrification — there is a sprinkling of hipster bars and cafes along the waterfront, occupying the old crumbling warehouses and what would’ve been derelict buildings.

Two chairs and a stool serve as breakout smoking area behind an old faded blue warehouse building; sunlight casts a series of repeating shaddows from beams that protrude through the building's metal wall — Port area of Antwerp, Belgium
Street art of a ball, it's shadow and a yellow polygon framed by crumbling concrete on the side of a brick warehouse building — Port area of Antwerp, Belgium
Street art of a ball, it's shadow and a yellow polygon framed by crumbling concrete on the side of a brick warehouse building — Port area of Antwerp, Belgium
Street art of an illustrative cyclist that's given up cycling (hands folded, and feet on handlebars) on the side of a brick warehouse building, with port water in th foreground — Antwerp, Belgium
A small fibreglass boat with cabin rest atop a rusting freight container. In the background is a brutalist high rise block of flats — Port area, Antwerp, Belgium
The Museum Aan de Stroom, or MAS building in the background, with cars and trees in the foreground — Antwerp, Belgium
Street art of geometric shapes and polygons framed by crumbling concrete on the side of a brick warehouse building — Port area of Antwerp, Belgium
Street art of geometric shapes and polygons framed by crumbling concrete on the side of a brick warehouse building — Port area of Antwerp, Belgium
Wind turbine and metal port structures create striking silhouette against a beautiful orange gradient sunset sky — Port area, Antwerp, Belgium
Wind turbine and metal port structures create striking silhouette against a beautiful orange gradient sunset sky — Port area, Antwerp, Belgium

Golden hour illumination

In truth I have visited The Port House twice — both times occuring on the same day!

I’m grateful to my wife for encouraging me to visit again during the evening, and to capture the building during golden hour. It was also an opportunity to capture the building from a different location — from across the canal that runs alongside the western elevation.


Western elevation of The Port House Zaha Hadid reflected in water during golden hour — Antwerp, Belgium
Southwestern elevation of The Port House Zaha Hadid during golden hour, with the glass extension forming a sharp point reaching towards the sky — Antwerp, Belgium
Southwestern elevation of The Port House Zaha Hadid during golden hour, with the glass extension forming a sharp point reaching towards the sky — Antwerp, Belgium
Western elevation of The Port House Zaha Hadid during golden hour, with the glass extension forming a sharp point — Antwerp, Belgium
Southeastern elevation of The Port House  by Zaha Hadid during golden hour, with golden orange sunlight illuminating the concrete cantilevered support column — Antwerp, Belgium
Full western elevation of The Port House Zaha Hadid reflected in water during golden hour — Antwerp, Belgium
Full western elevation of The Port House Zaha Hadid reflected in water during golden hour — Antwerp, Belgium
Dramatic high contrast close-up section from the glass extension of The Port House by Zaha Hadid, forming a sharp point and resembling a pyramid; to the right is a aeroplan mid-flight — Antwerp, Belgium
Dramatic high contrast close-up section from the glass extension of The Port House by Zaha Hadid; at the top of the frame is a aeroplan mid-flight — Antwerp, Belgium
A close-up of the rear of the glass entension, showing the undulating triangular glass panels during golden hour — The Port House by Zaha Hadid, Antwerp, Belgium
A close-up of the rear of the glass entension, showing the undulating triangular glass panels during golden hour. The modern glass is contrasted with the original brickwork and a neat array of dormer windwos on the tiled roof. A gull can be seen mid-flight in the sky — The Port House by Zaha Hadid, Antwerp, Belgium
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